ITW MYTHO 2
The Mytho interview
by Charles Eames
- "Draw me a sheep"
- “No! Design me a myth!
- “No! Design me a myth!
A true titan of intergalactic design thanks to some flagship creations notably combining wood, resin and fiberglass, Charles Eames, 117 years old and with Audiard-like verve, continues to leave his mark on the four corners of the globe.
Charles Eames
“With The Woods, I am going to blow up what will now be my most beautiful Parisian setting”
After a studious summer overhauling the visual identity of Saupiquet's head office in Vezoul, here he is at the helm of a Parisian project worthy of its excess: designing the decorum of The Woods gallery in the 18th arrondissement. Encounter.
ALAIN POSTEUR: For those who don't know you yet, you are to design what Saupiquet is to couscous and sausage: cult... (he cuts)
CHARLES EAMES: You speak, Charles.
ALAIN POSTEUR: Don’t be modest. If you had a few words to summarize your greatest creations?
CHARLES EAMES: (Sipping his Perrier puck) Wooden splints for the wounded during the Second World War; the DSW chair (Dining Sidechair Wooden base) which at the end of the 1950s was the very first chair produced industrially in resin and fiberglass; the lounge chair , made of leather and wood... I'll stop, for the rest you have Wikipedia.
ALAIN POSTEUR : What led you to this project in partnership with The Woods gallery?
CHARLES EAMES: I had known Simon and Lauren since 2010, we met at a pony training course in Chaville. Lauren immediately captivated me with her modern vision of ready-to-wear and what she wanted to create; Simon had a beard like an asshole that commanded respect. And I thought he wore his Pegasus brilliantly. We also had this common passion for Beat 2 boule and Capone & Noreaga.
When the two of them had the idea of setting up this gallery, it was quite natural that I offered to take care of the layout, the “color” of the furniture and the objects put up for sale.
When the two of them had the idea of setting up this gallery, it was quite natural that I offered to take care of the layout, the “color” of the furniture and the objects put up for sale.
ALAIN POSTEUR: What were your key words for this decoration?
CHARLES EAMES: Dwarf, finger, bar.
ALAIN POSTEUR: But still...
CHARLES EAMES : A dwarf , with the mischievous injected plastic statuettes designed by Ottmar Hörl. From the finger , with the irreverent resin sculptures of the artist Maurizio Cattelan - from the cactus too, with the emblematic piece from the transalpine publisher Gufram. And the bar, with chairs and armchairs of my creation, all in fiberglass.
ALAIN POSTEUR: One of your most famous trademarks, these chairs...
CHARLES EAMES : If you say so, commie. Besides, the Parisian barge had better not hang around, because with Simon's cheekiness, they go away like hot cakes.